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ONE: TWO:All existence, according to Plotinus, proceeds from the One, which he also calls God. But God does not create the world by a conscious exercise of power; for, as we have seen, every form of consciousness is excluded from his definition.319 Neither does it proceed from him by emanation, for this would imply a diminution of his substance.469 It is produced by an overflow of his infinite power.470 Our philosopher tries to explain and defend this rather unintelligible mode of derivation by the analogy of physical substances and their actions. Light is constantly coming from the sun without any loss to the luminary itself.471 And all things are, in like manner, constantly communicating their proper virtue to others while remaining unaltered themselves. Here we have a good example of the close connexion between science and abstract speculation. People often talk as if metaphysics was something beyond the reach of verification. But some metaphysical theories admit, at any rate, of disproof, in so far as they are founded on false physical theories. Had Plotinus known that neither the sun nor anything else in Nature can produce force out of nothing, he would, very probably, have hesitated to credit the One with such a power."Seen nothing of a woman," growled the sergeant.

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ONE: TWO: ��What then,�� asks Plotinus, ��is the One? No easy question to answer for us whose knowledge is based on ideas, and who can hardly tell what ideas are, or what is existence itself. The farther the soul advances in this formless region, where there is nothing for her to grasp, nothing whose impress she can receive, the more does her footing fail her, the more helpless and desolate does she feel. Oftentimes she wearies of such searching and is glad to leave it all and to descend into the world of sense until she finds rest on the solid earth, as the eyes are relieved in turning from small objects to large. For she does not know that to be one herself is to have gained the object of her search, for then she is no other than that which she knows. Nevertheless it is only by this method that we can master the philosophy of the One. Since, then, what we seek is one, and since we are considering the first principle of all things and the Good, he who enters on this quest must not place himself afar from the things that are first by descending to the things that are last, but he must leave the objects of sense, and, freed from all evil, ascend to the first principle of his own nature, that by becoming one, instead of many, he may behold the beginning and the One. Therefore he must become Reason, trusting his soul to Reason for guidance and support, that she may wakefully receive what it sees, and with this he must behold the One, not admitting any element of sense, but gazing on the purest with pure Reason and with that which in Reason is first. Should he who addresses himself to this enterprise imagine that the object of his vision possesses magnitude or form or bulk, then Reason is not his guide, for such perceptions do not belong to its nature but to sense and to the opinion which follows on sense. No; we must only pledge Reason to perform what it can do. Reason sees what precedes, or what contains, or what is derived from itself. Pure are the things in it, purer still those which precede, or rather, that which precedes it. This is neither reason nor anything that is; for whatever is has the form of existence, whereas this has none, not even an ideal form. For the One, whose nature is to generate all things, cannot be any of those things itself. Therefore it is neither substance, nor quality, nor reason, nor soul; neither moving nor at rest, not in place, not in time, but unique of its kind, or rather kindless, being before all kind, before motion and before rest, for these belong to being, and are that to which its multiplicity is due. Why, then, if it does not move, is it not at rest? Because while one or both of these must be attributed to being, the very act of attribution involves a distinction between subject and predicate, which is impossible in the case of what is absolutely simple.��463

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ONE:Leona nodded, the spirit of adventure was upon her now, it fired her blood. And there was something intoxicating about that maddening pace. Still, they could not go on at that speed for ever. Another half an hour at that speed and the petrol must give out. Balmayne was growing anxious. TWO: Holy everlasting Saviour of the human race! Bounteous nurse of mortals! Tender mother of the afflicted! Not for a day or night nor even for one little moment dost thou relax thy care for men, driving away the storms of life and stretching forth to them the right hand of deliverance, wherewith thou dost unravel even the tangled threads of fate, soothe the storms of fortune, and restrain the hurtful courses of the stars. The gods above adore thee, the gods below respect; thou dost cause the heavens to roll, the sun to shine; the world thou rulest, and treadest Tartarus under foot. To thee the stars reply, for thee the seasons come again; in thee the deities rejoice, and thee the elements obey. At thy nod the breezes blow, the clouds drop fatness, the seeds germinate and seedlings spring. But my wit is small to celebrate thy praises, my fortune256 poor to pay thee sacrifices, the abundance of my voice does not suffice to tell what I think of thy majesty, nor would a thousand tongues nor an unwearied and everlasting flow of speech. Therefore what alone religion joined to poverty can achieve, I will provide: an image of thy divine countenance and most holy godhead, guarded for perpetual contemplation within the recesses of my heart.397

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ONE:"Ah, you have been down for Mamie," the Countess exclaimed. "She had one of her turns again. Give the poor child some of that soda-water and then follow me. Be quick." TWO:But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Moli��re. If these works stand at the head of French literature, they owe their position not more to their author��s brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Moli��re turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Moli��re from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Pr��cieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotle��s disciple, Theophrastus, and already prefigured in the master��s own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572

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