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The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.Towards noon the mass of Kinchinjunga again lifted its head above the clouds, now white with a dust of rosy gold or violet on the snow in the shadows; and again, as the clouds swept across, of every changing tint of steel and copper, pearl and sunshine, till, following on the ardent glory of sunset, a purple and living fire, like a flame within the very substance of the ice-fields, all died into[Pg 153] mysterious blueness under the broad pure light of the moon.
ONE:The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fishsmall freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.
THREE:
THREE:A wide avenue paved with marble, rising in broad steps, crosses the hilltop between temples on either side, intersecting narrower alleys, likewise bordered with pagodas crowded together in the inextricable mazes of a labyrinth, whence our guides were frequently required to lead us outtemples crowned with a cupola or a cone, a bristling throng of little extinguishers all covered with carving. The same subjects and patterns are repeated to infinity, even in the darkest nooks: figures of gods, of gigantic beasts rearing or galloping, of monstrous horses and elephants, of tiny birds sheltering the slumbers of the gods under their outspread wings.
THREE:Some native lancers were man?uvring; they charged at top speed in a swirl of golden dust, which transfigured their movements, making them look as though they did not touch the earth, but were riding on the clouds. They swept lightly past, almost diaphanous, the colour of their yellow khaki uniforms mingling with the ochre sand; and then, not ten yards off, they stopped short, with astonishing precision, like an apparition. Their lances quivered for an instant, a flash of steel sparks against the skya salute to the Maharajahand then they were as motionless as statues.
TWO:A palankin, hung with heavy red curtains, went by very quickly, borne by five men. They chanted a sort of double-quick march, marking the time with a plaintive sigh and a slight bend of the knees, which gave their pace the appearance of a dance, the litter swaying very gently.Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.

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TWO:

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THREE:[Pg 19]
THREE:As we returned, vistas of unreal definiteness showed us endless valleys lost in the distance, and vast spaces cultivated in green and russet stripesthe tea plantations that spread below the now vanished splendour of the snows. At a turning in the road stands a cross, erected there in memory of an epidemic of suicide that broke out among the soldiers of the English forta small structure of stone with an iron roof that faces the heaven-scaling range.
THREE:As we returned to Lahore the palace rose before us among trees, a strip of wall, uninjured, covered with sapphire and emerald tiles; a fragile minaret crowning a tower bowered in flowering shrubsand then the vision was past. The carriage drove on for[Pg 238] a long way by ruins and vestiges of beauty, and re-entered the town, where lanterns were being lighted over the throng that pushed and hustled about the fair.In another building is the hall where the dastours say the last prayers over the dead in the presence of the relations; the body is then stripped in a consecrated chamber and abandoned to the mysteries of the tower.
THREE:
THREE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.
THREE:"But rice is very good, and it is very dear, and some of them have been ill for three weeks."

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ONE:In the ward we had just passed through there were none but convalescents or favourable cases. At the further end of the room a boy, fearfully emaciated, so thin that his body, lying in the hollow of the mattress, was hardly visible under the covering, was asleep as we approached. He had come from one of the famine districts, and in escaping from one scourge had come to where the other had clutched him. The doctor touched him on the[Pg 34] shoulder, and he opened his great splendid eyes. The awakening brought him gladness, or perhaps it was the end of his dream, for he had the happy look of a contented child, shook his shaven head waggishly, and the single corkscrew lock at the top, and was asleep again instantly.

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In the midst of the Lake of Immortality stands a marble temple with a roof and decorations of gold. All round the sacred lake palaces of delicate hue form a circle about the sanctuary, which glistens in the sun, its gilding and pale-tinted marbles reflected like the gleam of precious stones in the calm, sheeny, deeply transparent water.Afternoon, in the bazaar, in the warm glow of the sinking sun, wonderfully quiet. No sound but that of some workmen's tools; no passers-by, no shouting of voices, no bargaining. A few poor people stand by the stalls and examine the goods, but the seller does not seem to care. Invisible guzlas vibrate in the air, and the piping invitation of a moollah falls from the top of a minaret.At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her facea white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.
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